A few months ago I was asked to direct and produce a series of short cooking shows for Channel Five in the UK called “Meals in Moments”. On the same day, I was walking past a camera shop and saw a secondhand lens for sale. It just happened to be the 50mm Summilux ASPH. I have the 35mm Summicron v4 and 90mm Elmarit 2.8 but have been longing for a faster piece of glass to add to my collection. In certain situations, I have pushed film more than I wished, adding unwanted grain to some of my photos as a result.
So here is this legendary Leica lens staring at me through the window. I have read many articles about it and due to the launch of the Leica M9, it is getting quite rare to find. Surely it would be too expensive. Well, I had to look twice at the price tag. It was 1/2 the going price! I thought something had to be wrong and the lens must be in a bad state. Thankfully, I had my M6 with me so I could shoot a few test shots. I popped in to the store to check it out. The first thing that struck me was the Summilux’s weight. I am used to my 35mm ‘cron which is a lot lighter but for added stop you need extra glass. The ‘lux was in perfect condition…super clean, only a couple of cosmetic marks.
The second thing that struck me was that the shape of end glass was concave instead of convex. What’s that all about? Anyway…I clicked it into M-mount and started to take some shots of the darker interiors of the shop. I had aperture and speed. Amazing! The aperture ring clicked beautifully. The only fault I felt was the focusing ring could have been faster and smoother. The store allowed me to put down a deposit so I could check the results and if I was happy would purchase the ‘lux. They were great and I did.
Production of “Meals in Moments” went in to full swing and my Summilux purchase presented me with a great opportunity. I was getting to make a series which invites some of the UK’s celebrities along to cook one of their favorite dishes. Some of these celebrities included world traveller Charlie Boorman, forever Olympian Iwan Thomas and comedian Rowland Rivron. Whenever we were on downtime I took photos.
I think the results speak for themselves. After I forced myself to use this lens throughout the summer, I found that the Summilux is a fantastic all-rounder. All the images at 2.8-8 have real “pop” but it’s with portraiture that it really shines. The pictures are more intimate because as a photographer you have to get a bit closer to your subject to fill the 50mm frame, and then there is the “magic” that happens at f1.4. This piece of glass starts going into Noctilux territory!
After a couple of months of using the fabled Summilux 50mm Asph’ what did I think? I am not sure it will replace the 35mm ‘cron as my Leica lens of choice, as you can’t beat the V4’s weight, bokeh, its response and “story-telling abilities” but the ‘lux may replace my 90mm Elmarit as my portrait lens. I also spoke to Leica UK about the possibility of loosening the focus ring, as I like to shoot “fast and loose”. I was told this wasn’t a problem and at a very reasonable price the engineers at Leica would be able to help me out.
I found myself a beauty and it’s one I’d not be without.
This is a guest post by Robert Callway who has his own production company Nilsfilm which produces corporate promos and documentaries. Also a cameraman and, occasional, photographer, Robert has shot a number of prime-time C4/BBC documentaries including C4’s “30 Minutes with…”, BBC’s “The Nine Lives Of Alice Martineau” (BAFTA winner) and Living’s “Paranormal Egypt.” He prefers his images to tell the story and never leaves home without his Leica M6. For more pictures and information, visit his website Nilsfilm.
I am planning to purchase the new Leica V-Lux 2, the only thing I did not find is image stabilization, you would appreciate that without it, at 600 mm it will not be possible, without a tripod.
Would appreciate, if anyone, could appraise me on this.
I recently visited Paris on a very quick round the world trip, of course my M9 went with me but what or how many lenses to take, I decided upon the 50, yep the same as described here. i am new to photography and new to leica but am loving the learning and growth curve that i am being challenged by. Now i am waiting for the new 35mm, can’t wait. Unfortunately my m9 has gone back to Leica for it’s second look at an annoying issue, but i am a loyalist, loyal to a brand. I started in 2005 with the Digilux2 and then the M8. I love leica.
Richard…let me know about the 35mm. Is it the ‘lux or ‘cron?
if it were a 2 lens kit…the 35 and 50 would be it.
Abdul…..I have never tried that combo…but even with image stabilization that sounds like alot of glass to be shooting hand-held with.
hi Robert…i know this is an old post but follow the link from what you posted for the 50cron. I came the other way around ie started with a 50lux and got an elmarit 90 and now a 35 cron which is a delight based on the size and weight…I feel a bit like you regarding the elmarit 90 being replaced by the 50 cron/lux…what are your thoughts on that lens ? I feel like the 35/50 is excellent and already have a 70-200 2.8 with canon if need to use longer
It provides sharp images but don’t know why that lens not very appealing…
hi vadim! thanks for the message. i loved the 90mm elmarit and tele-elmarit but hardly used them. The Elmarit does take awesome pictures and can’t really fault it better than the Summicron 90mm which was way too heavy . But was using the 50mm, 35mm lenses more and hardly touched the 90mm lenses. After a while I sold them to help fund m9 purchase…for me it was nice to have a 90mm but I don’t miss it.
Even had a 24mm Elmarit…again awesome but the number of times I was going to use was minimal. So offloaded.
Sounds like I am a hoarder but need to try these things in the field to see if they are useful enough. If they aren’t…Bye Bye!