Shin Noguchi is an award winning street photographer based in Kamakura and Tokyo, Japan. He describes his street photography as an attempt to capture extraordinary moments of excitement, beauty and humanism, among the flow of everyday life and has a discreet, poetic and enigmatic approach that is sensitive to the subtleties and complexities of Japanese culture without using posed/staged and no-finder/hip shot. “Street photography always projects the ‘truth’. The ‘truth’ that I talk about isn’t necessarily that I can see, but they also exist in society, in street, in people’s life. and I always try to capture this reality beyond my own values and viewpoint/perspective.” Featured in: MAP Talent 2014, Liberation, Haaretz, The Independent, Leica Blog, The Street PhotographerÅfs Manual, and many others. Below, he describes the work and thought process behind Nonverbal Space.
“Nonverbal Space”, it is unstable, distorted, and contradicts what we have created. And [Ma], exists in there. The characteristic of the Japanese [Ma] is very beautiful, also delicate, and if you are not always aware of the very small amount of undulation of [Ma], it loses balance immediately. I tried to listen to a lump of invisible voice (or the voice that was confined) of [Ma] existing in nonverbal/unstable spaces of our daily lives, and I aimed to visualize the two invisible elements, [Ma] and human [Gou] (karma/conduct) that underlies in [Ma].
Also, in this project, I dared to express the human being as the existence (visualization of [Gou]), not as an individual but by making the whole nonverbal space the subject without including people in the frame. this way, i am managing the awareness of the relationship between individuals, society and the surrounding environment for the viewers. Danshi Tatekawa said that “Rakugo is an affirmation of human [Gou] (karma/conduct), that is, inconsistency”, and Alexander Pope also said that “To err is human, to forgive divine”.
As they talked towards “people”, could their words really be said in front of the “Nonverbal Space” which is more closer to the “society”? and could that “forgiveness” recreate another type of hope or a new possibility in this land where everything had changed to something that looks irreversible? I shoot the “Nonverbal Space” (it is unstable, distorted, and something contradicts what we have created) while being aware of their words which were created by human beings as well. Finally, by expressing the subjective viewpoint of the photographer, this project is, so to speak, an antithesis against the new topographic photographs.